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Now 48, Buell has a fiancР“В©, a successful book out, and a new house - a gift from one star who has stayed in her life: her daughter, actress Liv Tyler.Р”В«uell came to New York in 1972 with a contract from a prestigious uptown modeling agency. 'Never being able to get it right - the love, the failures.' 'I realized that there is no fairy tale,' she told 20/20 Downtown's Chris Cuomo in an interview airing tonight. But none of them stuck around, something Buell admits was painful. not a dry eye in the house as that tune fades out! Along with the strong originals, Bebe also covers The Runaway's 'Heartbeat' and Gang of Four's 'I Love a Man in Uniform', a pretty obscure choice, but also a prime indication that Bebe's still got excellent taste when it comes to rocking' men and the music they make.Her other beaux included Rod Stewart, Led Zeppelin's Jimmy Page, Todd Rundgren and Elvis Costello.

your photo's in my black angel frame/fly black angel, fly away'. 'walking down the street that bears your name. 'Black Angel' a tribute to deceased Ramone's vocalist Joey is a beautiful rock ballad with real emotional punch. Bebe has an amazing history to draw lyrical inspiration from, and it's clear from tunes like 'Baby Baby' that she's still in love with rock'n'roll and the sort of snake hipped boys who play it. It's New York rock with one foot in the recording studio and the other still in the back room of Max's Kansas City circa 1975. The sound and feel of Hard Love has a lot in common with Ronnie Spector's excellent 2006 album 'Last of the Rock & Roll Stars'. still, being a bit selfish I like that they're still a little bit secret, something special we can share, just you and me. In a just world the Bats would be chart toppers and considered part of the NZ music main-stream along side the Finns and Dave Dobbyn. The tunes rip by with a back-beat so urgent and insistent that you want to get up and move, verses you can't help but hum, choruses you'll want to shout out loud.

The songs themselves are wondrous in their simplicity, with such an air of freshness and energy, like a young band's debut, not a band coming up on their 30th anniversary with a massive back catalogue to lean on.

#BEBE BUELL TWITTER FREE#

Recorded by Dale Cotton (HDU, Subliminals et al), Free All The Monsters has a beautiful spacious sound. That the album is being released by Roger Shepherd on a re-activated Flying Nun just makes it so much sweeter. Bob Scott and band have a way with melody, an ability to lift their 3 minute guitar pop gems up into the sublime. seriously cool shit.Р”Р„ new Bats album is the musical equivalent of those first few days when you're positive summer is on its way. On closer 'Elephant', clocking in at a mere microgram under 15 minutes, the rhythm section lay back, letting the guitars fire off shards of noise and smears of feedback and drone. Byron 'Disco' Coley was, back-in-the-day a heavy Vermonster-head, saying of their Spirit Of Yma album, 'for lo-fi splatter, this is the max' Distant Effects is another Wayne Rogers synapse fryer. On Distant Effects Wayne and Kate are joined by the rhythm section of bassist Tom Leonard (if your band was on the Twisted Village label Tom has probably been a member at some stage!) and drummer Dave Lynch (Vermonster), and over the 4 tracks and 30 odd minutes, the band just slay. Bongload's Of Righteous Boo!), and Magic Hour. Together they have a serious back catalogue of heavy lysergic jams, in the bands Crystalized Movements, Vermonster, BORB (which stands for, are you ready. When not making amp's smoke, he ran the Boston record store/label Twisted Village (sadly closed in late 2010) with partner Kate Biggar, also a fantastic 'set the control's for the heart of the sun' guitar. For unfettered wah-abuse, Wayne Rogers is always a name to look out for.

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